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Vintage cameras, algorithmic generation, hand-drawn marks, and public domain imagery provide the raw material that seeds every artwork.
Elke bron levert een eigen textuurtaal voordat de algoritmische transformatie begint.
Vintage camera's zoals de Sony Mavica MVC-FD91 maken foto's op floppy disks met een resolutie van 640×480. De inherente compressieartefacten en het beperkte dynamische bereik worden eerder kenmerken dan gebreken. Elk JPEG-artefact is een samenspel tussen de chip en de intentie erachter.
Resolution constraints force compositional discipline. What survives lossy compression reveals the essential.
Procedural imagery from code — Perlin noise fields, fractal landscapes, cellular automata, reaction-diffusion systems. Every pixel is computed, never captured.
Algorithms as collaborators. The code proposes, the artist curates.
Hand-drawn marks digitised and fed into the pipeline. Human gesture meets computational transformation — the imprecision of the hand becomes raw material for algorithmic processing.
The human mark provides what algorithms cannot: intentional imperfection.
Planets, vintage clipart, scientific imagery, botanical illustrations — anything that sparks inspiration. These seed images are never the output; they're the starting condition for algorithmic evolution.
Found imagery as cultural DNA. The algorithm transforms context into abstraction.
Voorbeeldtextuur · Organisch patroon