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Vintage cameras, algorithmic generation, hand-drawn marks, and public domain imagery provide the raw material that seeds every artwork.
Vintage cameras like the Sony Mavica MVC-FD91 — floppy-disk photography at 640×480. The inherent compression artifacts and limited dynamic range become features, not flaws. Each JPEG artifact is a collaboration between silicon and intention.
Resolution constraints force compositional discipline. What survives lossy compression reveals the essential.
Procedural imagery from code — Perlin noise fields, fractal landscapes, cellular automata, reaction-diffusion systems. Every pixel is computed, never captured.
Algorithms as collaborators. The code proposes, the artist curates.
Hand-drawn marks digitised and fed into the pipeline. Human gesture meets computational transformation — the imprecision of the hand becomes raw material for algorithmic processing.
The human mark provides what algorithms cannot: intentional imperfection.
Planets, vintage clipart, scientific imagery, botanical illustrations — anything that sparks inspiration. These seed images are never the output; they're the starting condition for algorithmic evolution.
Found imagery as cultural DNA. The algorithm transforms context into abstraction.
Example source texture · Organic pattern